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OUTLINE

  The evolution of Camilla Borghese’s research, which started as an attraction for ancient Roman architecture and recently reached the twentieth century skyscraper, appears to focus on the relation among architecture, design and photography, where the latter ...

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PLUMB LINES 1

Fragments, close up particulars, frontal views, sumptuous images or fading details, Camilla Borghese’s photos regard exclusively architecture and follow thousand year old traces of a classic form that is repeated throughout the centuries. Her work could be defined as ...

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PLUMB LINES 2

A somber and splendid city, in its stone, its marble, its hidden spaces, bold and all-encompassing, or deftly stolen. The city manifests itself through a light that clarifies and declares a harmony that amazes, that reaches you furtively and then regards you with a ...

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DIALOGHI URBANI

Camilla Borghese’s photos of architecture have more than one meaning and, at the same time, lead to a sequel of considerations. The latter vary according to the onlooker and to whoever decides to “use” them. As for a work of architecture that, after having ...

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